JAMES DODD

BIOGRAPHY
Lives and works in Melbourne
QUALIFICATIONS
1999 Bachelor of Visual Arts, Honors, University of South Australia
1998 Completed Bachelor of Visual Arts, University of South Australia
SOLO EXHIBITIONS
2005 Something Metal Inside of Me, Helen Gory Galerie, Melbourne
Of Legend and Murder, Blacklab Gallery, Brisbane
Of Legend and Murder, Firstdraft Gallery, Sydney
2004 Scab, Kings ARI, Melbourne
Public Property, The Farm, Brisbane
2003 Occupied Territory, Grantpirrie Gallery, Sydney
2002 Analogue Love, Liquid Gallery, Adelaide
2000 Recycle, Top Floor Gallery, Adelaide
GROUP EXHIBITIONS
2005 Eureka Revisited: the contest of memories, Ballarat Fine Art Gallery, Ballarat
Half Life, Kings ARI, Melbourne
Dinner Party, Ember 67, Melbourne
Paper Politics, Seattle Print Arts
Tranz-it, Melbourne Art Supplies
2004 Conrad Jupiter's Art Prize, Gold Coast City Art Gallery
Eureka Revisited, Travelling exhibition, Ballarat Fine Art Gallery, Old Parliament House Gallery, Canberra, State Library of Victoria, Melbourne.
Hang 12, Clean Ocean Foundation Fundraiser, Melbourne, Sorrento, Sydney
Surface, Shed 14, Docklands, Melbourne
Manifesto, Downtown, Adelaide
The Outlandish Show, Coburg, Melbourne
City Views, Museum of Brisbane, Brisbane
Demented by Excess, Next Wave Print Project, Melbourne
Australia's 50 Most Uncollectable Artists, Next Wave Print Project, Melbourne
The Revenge Show, Downtown, Adelaide
Mind's Eye, Hazelhurst Regional Art Gallery, New South Wales
The New Breed, The Foundry, Melbourne
The Collection, Kintolai Gallery, Adelaide
2003 Neocontre, SOOB Central, Brisbane
67 Percent Say They Were Misled, Melbourne, Vienna, Budapest, Dublin
We are all Messengers, The Foundry, Melbourne
Guerilla Gorilla, George White Gallery, Melbourne
Feedback, Monash Museum of Modern Art, Melbourne
Empty Shows, Melbourne, Canberra, Sydney, Newcastle
2002 Primavera, Museum of Contemporary Art, Sydney
Die Cast, High St Project, New Zealand
Fantasia, 220 Hindley St, Adelaide
Money Shot, Miller Anderson Building, Adelaide
2001 Cool in the Face of Certain Disaster, Project Space, CACSA
Winter Experimental Art & Design, Rhino Room
Office of Utopic Procedures, Westspace, Melbourne
[move] 4, Rundle Mall
Girls, Top Floor Gallery, Adelaide
Space/Time, Rhino Room
Bloom, Kintolai Gallery, Adelaide
Generic Identity Logos, Keith Community Library and Area School, Adelaide
Gleam, The Physics Room, New Zealand
Window Work, Shoprt, Adelaide 
Shoes, Project Space Contemporary Art Centre of South Australia, Adelaide
2000 Endzone, Institute of Modern Art, Brisbane
CACSA Members Exhibition, Contemporary Art Centre of South Australia, Adelaide
[move], Torrens Island Fruit and Produce Market, CACSA, Adelaide
Gleam, Experimental Art Foundation
EAF Studio Artists Exhibition, Experimental Art Foundation
Wide Eyed, CACSA, Adelaide
Broadsheet Cover, CACSA, Adelaide
Struth, 82 Hindley St, Adelaide
Helpmann Academy Graduate Exhibition, Gerard and Goodman Building, Adelaide
Visual Sound, Tin Fish Gallery, Adelaide
1999 Humbug, Christopher Thomas Gallery
Fin, Honors Graduate Exhibition, Adelaide
No Frills, Carclew Youth Arts Centre
[move], Contemporary Art Centre of South Australia, Adelaide
Core, Young Artist Exhibition, City of West Torrens
20by20 Portrait Exhibition, Playhouse Theatre Foyer
AWARDS
2003 Pat Corrigan Artists Grant for solo exhibition
Three month residency at The Gunnery, Sydney
2000 Artists in Studios Scholarship for South Australian Youth
SAYAB Quick Response Grant
Helpmann Academy Project Support
1999 First Prize at Young Artist Exhibition Core, City of West Torrens
1998 Deans Merit List for Academic Achievement, University of South Australia
BIBLIOGRAPHY
2005 Radio Interview with Vicky Kerrigan, The Deep End, Radio National
Panel speaker, Melbourne Stencil Festival
Radio Interview, Art to Lunch, 4ZZZ, Brisbane
'James Dodd', Lisa Greenaway, www.theprogram.net.au
2004 TV Interview, Mondo Thingo, ABC
Guest Speaker, National Print Symposium, National Gallery of Australia, Canberra
'You are here', Tristan Manco and Matthew Fox, Maisonneuve, Issue 10
'Stencil Pirates', Josh MacPhee, Publishers Group West
'Conform', Saskia Folk, Macmillon Publishing
'Gang art stirs emotions', Carla Caruso, The Advertiser, August 10
'Place Made- Fifth Australian Print Symposium', Cliff Burtt, Artlink, vol 24, no 2,
'Interview with James Dodd', Local Art, Issue 11, May
'Legal Walls', Cause Celebre, February 2003
Radio Interview, Art to Lunch, 4ZZZ, Brisbane
'On Paper Please', Jim Singline, Spinach 7, issue 3
2003 TV Interview, Channel 31, Melbourne
TV Interview, The Morning Show, Channel 9
'Smart Art', Mark Gomes, Australian Art Collector, Oct.
'Critic's Picks', Dominique Angelero, The Sydney Morning Herald Metro, Sept. 26
'Walk the Blanks', Alexa Moses, The Sydney Morning Herald, Sept. 20
'In the Frame', Tim Benzie, The Sun Herald, Sept. 14
'Family Snaps', Tim Dick, The Sydney Morning Herald, Sept. 11
'Pop Art Ethos Comeback', James Norman, The Age, July 1
'Struggling to do Political Art Well', Robert Nelson, The Age, April 2
'War, Terror and Refugees Linked to Art', Megan Backhouse, The Age, March 26
'Primavera 2002', Chris Chapman, Eyeline, no 50, summer 02/02
2002 'Shock Tactics', Damien Sims, INTHAMIX, Nov.
'Attention Please', Lucinda Strahan, Harpers Bazaar, Nov.
'Powder Burns', Pat Nourse, Not Only Black + White, issue 63, Oct/Nov
'Primavera 2002: Art for a Post-Critical Era', Australian Art Collector, issue 22 Oct.
'You Gots to Chill', Chris Chapman, Broadsheet, vol. 31, no. 1
'No Man is an Island', Katrina Simmons, Broadsheet, vol. 31, no. 1
'Beau Geste', Jim Moss, Broadsheet, vol. 31, no. 1
2001 'It's Hip to be Flat', Emma Bugden, Log Illustrated, no. 14, Spring
'A Retard's Guide to Culture', Canta, July
'Art as a Fun Statement', Ro Ross, Border Chronicle, August
'That's Cool', Stephanie Radok, The Adelaide Review, no. 215, Aug.
'Artists Express Themselves', Amy Freeborn, The Advertiser, June 30
'New Adelaide Grooves', Chris Reid, Real Time, no. 43, June/July
'Hip Hop Poets/Paint it Black', Chris Chapman, Braodsheet, vol. 30, no. 1
'gleam...', Maria Bilske, Eyeline, Summer 00/01
2000 'IMA Endzone', Bridget Hayes, Scene Magazine, Dec.
'A Part of the Problem', Peter Anderson, Courier Mail, Dec. 9
'In the Eye of the Beholder', Wendy Walker, The Advertiser, Oct. 27
'Around the Galleries', Susan Archdall. The Advertiser, Oct. 9
The Graduates: Artnotes South Australia', Tony Kirkman, Art Monthly, no. 132, Aug.
'Top Floor, Top Space: Artnotes South Australia', Tony Kirkman, Art Monthly, no. 132, Aug.
'Wide Eyed', Chris Reid, Art Monthly View Review, http://artmonthly.org.au
'Cabbalism in Three Easy Lessons', John Neylon, The Adelaide Review, no. 209
'Art's Stepping Stone', Jonathon Hart, The Advertiser, Feb. 19
1999 'The Trailer as Main Event', Pamela Zeplin, Broadsheet, vol. 28, no. 4, CACSA
'Your Fifteen Minutes of Fame Begin Now', Michael Newall, Broadsheet, vol. 28, no. 4
COLLECTIONS
National Gallery of Australia, Gold Coast City Art Gallery, National Maritime Museum , Collection of the Centre for Study of Political Graphics - Los Angeles , Private Collections